SALTFIRETHEATRE.ORG
  • Home
  • Season
    • Auditions
    • Season 26-27
    • Season 25-26
    • Season 24-25
    • Season 23-24
  • Tickets
  • Join us!
    • Saltfire Donors 2025-26
  • Productions
    • Wind in the Willows
    • Much Ado About Nothing
    • Uncle Vanya >
      • Uncle Vanya Dramaturgy
    • Sherwood: The Adventures of Robin Hood
    • Trifles >
      • Trifles Dramaturgy
    • Macbeth >
      • Macbeth Dramaturgy
    • Empty Plate in the Cafe du Grand Boeuf >
      • Empty Plate Dramaturgy
    • Sneeze
    • Twelfth Night
    • Taming of the Shrew
    • All in the Timing
    • As You Like It
  • Origin Story
  • Contact Us
  • Board of Directors
Wind in the Willows
a new adaptation
for Saltfire Theatre

directed by Kerry Christianson
​Lose yourself in the summer breeze...

A whimsical romp
full of budding friendships, adventure, and messing about in boats --

​just watch out for those weasels!
Picture

August 7-16 at Finnriver Farm and Cidery
August 21-23 at Fort Worden, Littlefield Green

Poster by Rose Burt Hatmaker
​
Reviews:

The Sound on Stage
"Saltfire Theatre’s Wind in the Willows understands something essential about both children’s stories and live theatre: imagination is often far more interesting than realism. Give an audience a blue sheet and tell them it’s a river, and they’ll see a river. Give them some beautifully handmade transportation, a few pop-up books, some buzzing Bees, and a wonderfully overconfident Toad, and before long they’re traveling through the Wild Wood alongside Mole and Rat. And regardless of whether the setting is Finnriver Farm and Cidery or Littlefield Green at Fort Worden, the production’s greatest scenic resource remains exactly the same: the audience’s imagination." -- Greg Heilman

Port Townsend Leader
"The design elements of “The Wind in the Willows” deserve special note. Libby Wennstrom’s costumes, which were humanlike attire but suggested the nature of the different animals, work very well. Though young children would not recognize it, the show is British to its core, with the costumes suggesting the innocence and confidence of England’s Edwardian era. The props by Celia Warden and her crew are imaginative and simple — often made from cardboard. This keeps the emphasis on the fun of make-believe rather than realism. Ward Serrill’s sound design was essential to the play’s storytelling. Like old radio shows, sound effects suggested the opening and closing of doors, the crashing of cars and other staging needs. The music and sound effects enhanced the peaceful feeling of life on the river." --Lauren McConnell

Jefferson County Beacon
​
"We live in profoundly serious times. In a world that’s on fire, in the days of late-stage capitalism, sometimes the only thing you can do is be nonsensical. And if you are looking for a glorious ninety-minutes outside of reality, you can find it at Saltfire Theatre’s The Wind in the Willows..." --Nhatt Nichols

Site powered by Weebly. Managed by SiteGround
  • Home
  • Season
    • Auditions
    • Season 26-27
    • Season 25-26
    • Season 24-25
    • Season 23-24
  • Tickets
  • Join us!
    • Saltfire Donors 2025-26
  • Productions
    • Wind in the Willows
    • Much Ado About Nothing
    • Uncle Vanya >
      • Uncle Vanya Dramaturgy
    • Sherwood: The Adventures of Robin Hood
    • Trifles >
      • Trifles Dramaturgy
    • Macbeth >
      • Macbeth Dramaturgy
    • Empty Plate in the Cafe du Grand Boeuf >
      • Empty Plate Dramaturgy
    • Sneeze
    • Twelfth Night
    • Taming of the Shrew
    • All in the Timing
    • As You Like It
  • Origin Story
  • Contact Us
  • Board of Directors